SOFTNESS (2023)
toni standard (2023)
To Separate Photography ... (2019)
quality of the materials (ongoing)
a series of diptychs, each panel: 400mm x 200mm x 50mm
acrylic glass, aluminium profile, inkjet print on matte photo paper 235gsm, led light, hardware
Incorporating aluminium structures, industrial plastics, and archival materials, component(s) serves as architectural fragment, minimalist sculpture and a repository of cultural debris . component i (2025) is embedded with a screenshot of the original 1983 workshop of Starlight Express. This series of twelve diptychs is a meditation on bodies, images, and technology. *Starlight Express is a 1984 musical by Andrew Lloyd Webber that weaves an eccentric story of technological obsolescence. In this theatrical production the actors perform on roller skates within an automotive fantasia. Actors perform as vehicles in a starry-eyed narrative where both mythology and faith intertwine. |
Set in an abandoned 19th century residence in Alabama, the exhibition links works by eighteen artists that mine the residues of spaces - a meditation on grief, resistance, memory, reinvention, and quiet repair. Artist(s): Zebedee (Z.B.) Armstrong, Geraldine Belmont, William Christenberry, Thornton Dial, Susan Fitzsimmons, Beatrice Gibson, Bessie Harvey, Aki Illomâki, Adriano La Licata, Romana Londi, Peles Duo, Roseline Rannoch, Casey Roberts, Eva Seufert, Rob O’Shea, Thomas Lanigan-Schmidt, Purvis Young, & Phillip Zach.
See the full exhibition here: https://hyphaecollab.net/#project-glitch
Susan Fitzsimmons, Slippery Slope, 1976, Lucite.
Poster design by Littleton Odom & Philip Zach
component ii (2026)
a series of diptychs, each panel: 400mm x 200mm x 50mm
acrylic glass, aluminium profile, inkjet print on matte photo paper 235gsm, led light, hardware
Recently exhibited as part of 2026 Members Exhibition at Catalyst Arts, Belfast, Northern Ireland